Martyrdom Further Analysis Musee des Beaux Arts is an informal commentary on the bizarre human situations that arise in certain older paintings, notably one, The Fall of Icarus, which is now in the Musees Royaux des Beaux Arts in Brussels. Auden creates a speaker who is, to all intents and purposes, delivering an opinion on various paintings that deal with human suffering. In the first stanza the speaker makes observations from other paintings by the same artist, Brueghel, namely Numbering at Bethlehem, Winter Landscape with Skaters and a Bird Trap and Massacre of the Innocents. These references highlight the strange, contrasting human experiences that are part of the fabric of life - one person suffers terribly, another carries on regardless with some mundane activity.
Scott Horton noted that it would be a mistake to only look to the Icarus painting when explaining Auden's poem, for "The bulk of the poem is clearly about a different painting, in fact it's the museum's prize possession: The Census at Bethlehem. They are surrounded by many other people: The scene depicted, again in a wintry Flanders landscape, is recounted in Matthew 2: Herod the Greatwhen told that a king would be born to the Jews, ordered the Magi to alert him when the king was found.
The Magi, warned by an angel, did not and so, "When Herod realized that he had been outwitted by the Magi, he was furious, and he gave orders to kill all the boys in Bethlehem and its vicinity who were two years old and under.
Yet this must be the horse Auden has in mind, since it is the only torturer's horse in Bruegel's work, and the only painting with horses near trees. This is the only known example of Bruegel's use of a scene from mythology, and he bases his figures and landscape quite closely on the myth of Daedalus and his son Icarus as told by Ovid in his Metamorphoses 8, — The painting which Auden saw was thought until recently to be by Pieter Brueghel the Elder, though it is still believed to be based on a lost original of his.
While this occurs, Icarus is visible in the bottom right hand corner of the picture, his legs splayed at absurd angles, drowning in the water. There is also a Flemish proverb of the sort imaged in other works by Bruegel:Musee des Beaux Arts by W.H.
Auden: Introduction Musee des Beaux Arts is one of Auden's most distinguished short poems. It was first published in , though written by during winter holidays in Brussels in “Musée des Beaux Arts” was composed in , published under the title “Palais des beaux arts” in a newspaper in , and included in the volume Another Time in It was written after Auden had spent time in Brussels, Belgium.
"Musée des Beaux Arts" (French for "Museum of Fine Arts") is a poem written by W.
H. Auden in December while he was staying in Brussels, Belgium with Christopher Isherwood.
It was first published under the title "Palais des beaux arts" (Palace of . About W.H. Auden Many people will know W.H. Auden’s poem ‘Funeral Blues’, because it featured in the film Four Weddings and a Funeral.
This popularity makes it seem exceptional, but in fact it is characteristic of much of Auden’s work, which combines a high level of technical skill with wit, compassion and grace.
"Musée des Beaux Arts" (French for "Museum of Fine Arts") is a poem written by W. H. Auden in December while he was staying in Brussels, Belgium with Christopher Isherwood.
It was first published under the title "Palais des beaux arts" (Palace of . Thinking about all the surroundings in Brueghel's painting leads him to free-think a bit about all of the ways that suffering is surrounded by the hustle and bustle of everyday life.
Finally, though, our speaker pulls his attention back to the painting.